Thesis (1-liner): The app/UI era is ending; the agent/infra era is starting. People will express intent, agents will execute, and software winners will be the most reliable machine-consumable infrastructure.
Because (what’s driving it):
What I’m watching next (confirming signals):
Mandy, Indiana — URGH (album) Sounds like: noise-rock + techno circuitry; sirens, strobe, and bruised grooves. Why you’d care: the rare “difficult” record that still hits like a run of bangers (cathartic, not punishing).
Ratboys — Singin’ To An Empty Chair (album) Sounds like: 90s-leaning alt-rock with a warm Americana undercurrent and big guitar moments. Why you’d care: Built to Spill / Wilco-adjacent feeling without cosplay—hooky, human, and built for repeat listens.
Daphni — Butterfly (album) Sounds like: exuberant, sample-happy house that’s colorful rather than sterile. Why you’d care: Avalanches-friendly “joy-as-craft” energy—music that actually changes your mood.
Beverly Glenn-Copeland — Laughter in Summer (album) Sounds like: hymn-like folk-pop / choral warmth—simple melodies with huge emotional weight. Why you’d care: a late-career statement that feels communal and life-affirming (quietly devastating).
Joshua Chuquimia Crampton — Anata (album) Sounds like: Andean-rooted instrumentals pushed into psychedelic drone/noise and bright, strange textures. Why you’d care: genuinely new-sounding guitar music—ritual + experimental in a way that sticks.
Lande Hekt — Lucky Now (album) Sounds like: literate, jangly indie-pop with a wistful British bite. Why you’d care: melody-forward, guitar-first—good “Wilco/Pavement-adjacent” palate cleanser.
Yumi Zouma — No Love Lost to Kindness (album) Sounds like: glossy, melancholic synth-pop / dream-pop with clean hooks. Why you’d care: low-friction listen that still rewards repeat spins.
Geologist — Can I Get a Pack of Camel Lights? (album) Sounds like: woozy, textural instrumental electronic/ambient with oddball warmth. Why you’d care: Avalanches-friendly “sonic texture” lane—good work soundtrack.
Jordan Ward — Backward (album) Sounds like: elastic, left-field R&B/rap with groove-first production. Why you’d care: modern + crafted (not algorithmic sludge).
By Storm — My Ghosts Go Ghost (album) — stretch Sounds like: experimental indie/hip-hop hybrid—restless, hooky, slightly chaotic. Why you’d care: could hit the same nerve as your weirder indie favorites.
(Filtered to your taste; metal excluded.)
Last updated: 2026-02-06